|'Passages' 16x16 Oil Plein Air|
I Haven't Posted On......
....this blog, my website, FB or Instagram in well over a year. Nothing. It has felt good but it may be time to return.
I needed some time off and some creative privacy, I guess. I kept painting, studying and even taught a few courses but I was tired of media. Still am, but decided it was time to share again and see if I could change the terms of engagement. No, I don't yet know what that means other than not taking it seriously, despite what the online marketers recommend.
In the interim a few changes I hadn't expected crept in. Being trained mostly by Sergei Bongart's teaching assistants I once used a color palette of up to 18 hues. Over the years that number shrank slowly until around 2005 it was down to 9 colors, a split primary palette with a couple 'kickers'. It is interesting and significant that the number kept going down. I'm now at 3 tubes of color plus white. I keep a standard primary palette of a red, a yellow and a blue in differing temperatures and saturations. I will switch out one or more of those hues when I think it's appropriate or when I want a challenge or just to see what happens. The number still stays at three colors.
Both of these plein air pieces use the same palette except for the blues, one done with Ultramarine Blue and the other Prussian Blue ('Passages', 16x16 PB and 'Morning in the Gardens', 10x20 UB at Battle Point Park). I'm really rather amazed at the variety of colors that can be achieved and the subsequent color harmony.
A couple of things that sort of happened at the same time in terms of materials also helped re-enthuse me to paint and explore. I'll talk about those next time.
|'Morning in the Gardens', 10x20, Oil, Plein Air|
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