Roslyn Autumn, 12x14

Another quick marker study and the resulting painting. When I did the drawing I was only interested in the major differences between the light and the dark areas so I used just one value of marker. Once I had that, I used paint to loosely block in those large shapes in a neutral color before adding the actual color you see here. Once the major light/dark separations were made, all I had to do is add color in a value that was similar to the block-in. That's when painting becomes fun.